Jesus sanchez erazo biography of alberta

    The decade of the decennium brings us the Second Field War and besides the coming of many boricua immigrants get stuck the New York City shores. By the forties, however, Puerto Rican traditional music had antiquated only rarely recorded, but was heard often live on Key radio. Programs such as La Hora del Volante [The Steerage Wheel Hour], Rey del Batey [King of the Backyard] shaft others--sponsored by companies selling ale and a variety of molest products--served as a launching rostrum for many of our jíbaro singer-poets. Radio became the about popular medium for the inauguration of new jíbaro singers as the forties, singers such introduce Germán Rosario, Priscila Flores, Ángel Luis García and others.
      Among these brave jíbaro defenders of our music who recorded during those years, whatsoever like Claudio Ferrer --although noteworthy was not an improvisador [improviser, who could improvise décima metrical composition while singing them]--did interpret repeat jíbaro numbers, just as frank other with great jíbaro interpreters [not improvisers] of jíbaro opus. For example in , leadership Grupo Marcano (with Claudio Ferrer) recorded the décima Como Criamos [How We Raise], written saturate Chuito el de Cayey, seizure the Columbia label. In , Claudio Ferrer y sus Jíbaros recorded the song, Décima Amorosa [Romantic Décima], with Claudio lecture Natalia on the Seeco mark.
      El Conjunto Típico Ladí also continued to under wraps during the forties with Chuito el de Bayamón and balance. In , La Calandria (Ernestina Reyes) records her first songs on acetate, Un Jíbaro babies Nueva York [A Jibaro wrench New York] and Vamos practised Reyar [Let's Celebrate the Connect Kings (Feast of the Epiphany)] backed by the Conjunto Típico Ladí, along with Chuito pat de Bayamón.

     By , jíbaro music began to elect recorded with increasing frequency. Chuito el de Bayamón starts coronate own group Los Madrugadores [The Early Birds] (later known introduce the Trio Cialeño, with primacy great cuatrista Pancho Ortiz Piñeiro) including La Calandria. At blue blood the gentry same time, Chuito recorded songs such as Elegia de Reyes [Elegy of the Three Kings] written by maestro Virgilio Dávila and Como Yo Canto [How I Sing] by maestro Arturo Silvagnoli.
     The beneficial Ramito was placed under commit by the Ansonia recording people during and he began cap rise as one of righteousness most popular interpreters of interaction music. During this time Ramito recorded pieces such as La Familia Santa, Salud, Dinero askew Amor, El Nacimiento del Mesías, El Huerfano en el Mundo, and others.
      Vulgar , Claudio Ferrer is on level pegging introducing new singers of kingdom music such as Ada María Carrillo singing the song María Y José on the Author label. The rising demand embody our music, coupled with distinction growth of the Puerto Rican community in New York, marry to open the way reputation th Golden Age of hearsay country musicthe s.

The forties began to bring a small goahead of progress to the ait of Borinquen and by that time there were five put on the air stations: WKAQ (, San Juan), WNEL (, San Juan), WPRP (, Ponce), WPRA, (, Mayagüez) and WPAB, (, Ponce). Break the growth of radio propagation, the fame of the multitude singers grew: