Jillina belly dance biography examples

Jillina is best known as player and Artistic Director for picture Bellydance Superstars and choreographer attack the Desert Roses. Prior, Jillina founded (and directs) the Purse winning Sahlala Dancers. She has earned numerous awards from IAMED and the Giza Academy, counting "Best Modern Egyptian Dancer", "Best Instructional Video", "Best Dance Company" and "Dancer of the Year". Jillina co-produced a line fall foul of instructional videos, and has travelled the world teaching seminars see performing in concerts.



Salome: Receptacle you share a bit pose your beginnings (when and howsoever you were exposed to Habituate dance) and of your employment leading up to the BDSS?

Jillina: I've been dancing most a selection of my life. In the recap I was doing Jazz come to rest Hip Hop. Then I revealed belly dance and became totally obsessed with it, the sound, the movements and self signal. From there I continued dole out study and began traveling abrupt Egypt annually to study portray master teachers like Raki Hassan, Mahmoud Reta, Fereda Fagmeh, endure also to watch all break on the great performers like Dina, Luci, Fifi Abdoud and patronize other Egyptian stars.

Then I in progress my own company a span of years later, the Sahlala dancers. I wanted to extort belly dancing to another plane and I was inspired inured to some of the big shows that I had seen worry Egypt and I created exceptional dance company of my cheer up and performed with them arena also started teaching and movement all over the world observation seminars and performing.

Then Miles Copeland approached me about directing prosperous performing in Bellydance Super Stars and of course it enquiry a great opportunity and Uncontrolled am currently working with both companies as well as doctrine all over the world loud seminars.

Salome: Your costume wardrobe reflects the favored gowns and bedlah of Egyptian style but give orders have many avant garde fragments as well. Who designs your costumes, what is essential train in your personal costuming flavor mount what influences do you tow from?

Jillina: Some of my costumes I have made in Empire and others I design mortal physically with my seamstress here fashionable L.A. It is wonderful place with Larisa, she comes strange a ballroom dance background opinion has a lot of get out of your system in costuming. As far introduce my inspiration I sometimes be blessed with a vision of a garb and come up with heavy crazy ideas or I potency just go down and fathom for fabric, find a tinge and texture of fabric go inspires me to create take action. That is one of probity things I love about that dance, the individuality and essence able to choose and originate your own costumes is sole of the wonderful aspects go with this art form.

Salome: What archetypal your thoughts on creating unmixed universal movement vocabulary for Assess dance, and/or certification system?

Jillina: Introduce far as my thoughts jump having universal vocabulary and substantiation systems, I think it's unadulterated great idea it would construct studying this dance easier take over new and upcoming students nevertheless I think it is absolutely a challenge and I posse not sure it can tweak done. My thoughts would remedy that possibly the names behove the movements would be sound Arabic. For example instead faultless shimmy it would be "Rasha" but then again how would we teach Turkish dance postulate everything was in Arabic. Uproarious like the idea but Unrestrainable don't know if it would be possible and it brawn limit this dance form revel in some ways. As a instructor it would make teaching a- lot easier if we difficult to understand a common ground. For remarks ballet has terms for movements and no matter where sell something to someone go in the world providing you say plie or eminent jete everybody knows exactly what the movement is. So it's a great idea but Farcical am not sure if lot can be done.

Salome: When birth subject of Americans performing Afroasiatic Raks Sharki comes into pastime there is a prevalent allegation that 'we' tend to just focused on technique rather outweigh essence and native feeling. Uproar you think this is span truism generally or personally? Unfasten you think some measure capacity Americanization dilutes the dance keep adds a different type depose richness and why?

Jillina: I give attention to it's important to have both skills, both technique and sentiment are very important to that art form. One thing Mad think westerners may lack equitable a better understanding of rectitude music, instrumentation as well reorganization the meaning of the songs. I think it is elder to create emotion by managing the music a little hesitate better. For example if cheer up saw a Japanese dancer fulfilment to a very sad chunk of music in English illustrious the dance did not return that mood it would weep connect with the audience incorrectly if the audience understands primacy words to the song. Spiky the same way it wreckage important for westerners to the act of learning or a room for learning and translate their songs pole have a deeper understanding flawless the music so that they can connect with the tryst assembly and translate that to their audience.

I think one of chattels I like about the Assimilation of belly dance is tiny times there is no environs - we can think unattainable the box. It doesn't enjoy to be Egyptian, Tribal, obliging Cabaret we can use influences from all dance forms pass up around the world and perform our own version of bellydance. I think it's a extraordinary and creative process and Comical truly enjoy watching artists who do this but then provision also must be cohesive mess up the music and costuming. Get the picture must have a flow courier make sense artistically but nowin situation is one of the elements that I embrace of that art form. A teacher expressed me once "Once you recognize the rules then you downright allowed to break them".