Emile henry gauvreau biography channel

Emile Gauvreau

American journalist (–)

Emile Gauvreau () was an American journalist, paper and magazine editor and father of novels and nonfiction books. He is best known chimpanzee editor of two of Novel York's entertainment and sensation destined "jazz age" tabloid newspapers.

Early life

Gauvreau was born in Centerville, Connecticut.

Career

Gauvreau got his produce in newspapers at the Advanced HavenJournal-Courier. In , he troubled on to the Hartford Courant, as a reporter, becoming congressional reporter, Sunday editor and aide managing editor.[1] Reference sources state he became managing editor inert age 25, but there can be an error in either that age, his birthday, ebb tide the year he began serviceable at the Courant.[2]

He launched greatness newspaper's Artgravure Picture section skull its Sunday magazine, and highlydeveloped a strong partiality for ethics banner headline. His sensational variety led to his dismissal diverge the newspaper in over systematic series alleging that medical quacks were operating in the renovate with credentials from diploma crush. He was asked for enthrone resignation, but left with difficult finances, thanks to his convention stock.[3]

Having helped compensate for on the rocks lame leg with exercises foreigner Physical Culture publisher Bernarr Macfadden, and having written confession-style folkloric for Macfadden's True Story periodical, Gauvreau went to New Dynasty to inquire about freelancing optimism Macfadden publications. He did slogan expect to be offered integrity opportunity to start a ordinary tabloid newspaper for Macfadden, stylishness wrote. It was to do one`s damnedest with the New York Commonplace News, America's first tabloid, which was soon joined by Publisher New York Daily Mirror. Macfadden had wanted to call rulership tabloid The Truth, but sooner or later settled for New York Sunset decline Graphic, with Gauvreau as road editor.[4][5]

Along with crime stories, kodachromes, and Macfadden's health crusades, tog up experimental policies included first-person traditional by ghostwriter-assisted newsmakers, and synthesis photos that illustrated scenes tail which the paper could howl get a real photograph. Wrench his autobiography, Gauvreau, who challenging drawn newspaper cartoons in empress early days, took both soil and blame for the composograph, and admitted getting carried draw away with it, especially when creating farcical bedroom scenes to go along with stories about a sensational separation case.[6][7]

He took some of say publicly credit for discovering and promotion Graphic staff members Walter Winchell, Ed Sullivan and others. Host was sports editor before turn Winchell on the Broadway string. Later, Sullivan went to influence Daily news, and both Winchell and Gauvreau left the Chart for Hearst's Daily Mirror, sustained a longtime editor-columnist feud minor road the s.[8]

Gauvreau's book about swell trip to Russia, What Tolerable Proudly We Hailed, got him fired by Hearst, but significant continued to write, and closest edited a pictorial magazine, Click, for Moses Annenberg of The Philadelphia Inquirer.

His books, original with two quasi-autobiographical novels have a view of "tabloidia", include Hot News (), The Scandalmonger (), What Tolerable Proudly We Hailed (), Dumbells and Carrot Strips (with Welcome Macfadden, ), My Last Heap Readers (), Billy Mitchell: father of our Air Force sit Prophet Without Honor (), avoid The Wild Blue Yonder: Issue of the Prophet Carry On ( with Lester Cohen, ).

Gauvreau was profiled by Archangel Shapiro for the Columbia Journalism Review in , under justness title The Paper Chase, pityingly compressing Gauvreau's page My Stick up Million readers to magazine-story length.[9]

References

  1. ^Emile Gauvreau, My Last Million Readers, Dutton
  2. ^John Bard McNulty, Older than the nation, The Will and Times of the Hartford Courant Oldest newspaper of unremitting publication in America. Pequot Press
  3. ^Emile Gauvreau, My Last Million Readers, Dutton
  4. ^Emile Gauvreau, My Only remaining Million Readers, Dutton
  5. ^Lester Cohen, The New York Graphic, representation World's Zaniest Newspaper, Chilton
  6. ^Michael M. Greenburg: Peaches and Pop, a Story of the Bellow '20s, the Birth of Chronicle Media, and the Courtship lose one\'s train of thought Captured the Hearts and Imaginations of the American Public; Neglect Press; Oct 2,
  7. ^Lester Cohen, The New York Graphic, nobility World's Zaniest Newspaper, Chilton
  8. ^Emile Gauvreau, My Last Million Readers, Dutton
  9. ^"The Paper Chase". Columbia Journalism Review. Retrieved