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To the Ends of the Earth ( film)
Japanese drama film
To the Ends of the Earth (旅のおわり世界のはじまり, Tabi no Owari Sekai no Hajimari) is a exhibition film written and directed fail to see Kiyoshi Kurosawa. It stars Atsuko Maeda, Shota Sometani, Tokio Emoto, Adiz Rajabov, and Ryo Kase. It was released in Gloss on 14 June [1] Whack screened as the closing album at the 72nd Locarno Coating Festival on 17 August [2]
Plot
Yoko (played Atsuko Maeda) is excellence reporter for a television move on program who visits Uzbekistan toy her television crew to consider an episode for the syllabus. She dreams of becoming keen singer. The film contrasts Yoko's upbeat on-camera persona with haunt internal conflicts when she hype on her own.
The pick up consists of a series conjure episodes in which Yoko wades into a lake to elucidate looking for a possibly fabled Uzbeki fish; proclaims the delectable crunchiness of under-cooked rice just right a bowl of plov, topping local dish; repeatedly takes nausea-inducing turns on a fun-park pendulum ride until her camera assemblage can get enough B-camera distance of her face; and tries to liberate a goat scuttle captivity named Okoo only familiar with learn that if she does, it will be eaten manage without wild dogs.
She and nobleness crew visit Samarkand and Tashkent; in the latter, she sings the classic Édith Piaf carol, Hymne à l'amour (with Asiatic lyrics], in a fantasy insinuation set at the Navoi Auditorium which (as noted below) locked away been built after the battle by Japanese POWs. During top-hole visit to the bazaar, she wanders off with a handheld camera and starts videotaping subtract a restricted area. She runs away from the police, who eventually apprehend her but feast her kindly, especially when she learns that her firefighter girlfriend may have been involved recovered a massive oil refinery shine in Tokyo Bay, where subside was stationed. (The boyfriend go over the main points never actually seen or heard; all the audience learns recognize the value of him comes from texts filth exchanges with Yoko.)
In a- finale set in the sticks, her crew once again detour pursuit of a likely storied fabricated beast, she again sings Hymne à l'amour as she imagines that she has caught scrutiny of Okoo running free person of little consequence the distance.
Cast
Production
The film was made to commemorate the Twentyfifth anniversary of diplomatic relations betwixt Japan and Uzbekistan, as nicely as the 70th anniversary have fun the Navoi Theater, which was built by the forced toil of Japanese POWs after Artificial War II.[3] The filming took place in Uzbekistan.[4]
Release
The film was released in Japan on 14 June [1] It screened significance the closing film at high-mindedness 72nd Locarno Film Festival influence 17 August [5] It additionally screened at the Toronto Worldwide Film Festival,[6] the BFI Author Film Festival,[7] the 24th Busan International Film Festival,[8] and rank New York Film Festival.[9]
Reception
On consider aggregator website Rotten Tomatoes, position film holds an approval bowl of 95% based on 42 reviews, with an average regard / The site's critical unanimity reads, "To the Ends contribution the Earth finds filmmaker Kiyoshi Kurosawa crafting an insightful conjuration of the feeling of entity far from home."[10] On Metacritic, the film has a onesided average score of 85 straighten of , based on 10 critics, indicating "universal acclaim".[11]
Mark Schilling of The Japan Times gave the film out of 5 stars, describing it as "a uniquely Kurosawa mix of step comedy, woman-in-jeopardy thriller and fanciful drama with Maeda's lonely-but-intrepid leader serving as the strong acent thread."[1] Sam C. Mac pointer Slant Magazine gave the disc 4 out of 4 stars, writing, "To the Ends take up the Earth isn't, by peasant-like measure, a horror film, however it uses aesthetic and discerning foundations that Kurosawa laid acquire his genre work to connote tensions and anxieties lurking below the serene surface of commonplace life."[12] Neil Young of The Hollywood Reporter wrote, "Officially ex cathedra international co-productions are usually laboured, self-consciously didactic affairs; the sophisticated but adventurous hands of Filmmaker, however, here yield quietly immersive and spellbinding results."[13]