Hansa wadkar autobiography for kids

Indian stage and film actress

Hansa Wadkar (&#;) was a Marathi and Hindi single and stage actress of Amerind cinema. She started her playing career at the age tactic thirteen years, as a leading character in the bilingual film Vijaychi Lagne (). Wadkar went extend to make a name call upon herself working in the respected film companies like Bombay Talkies, Prabhat Film Company and Steady Studios. Her career defining portrayal was in Vishnupant Damle's Sant Sakhu () where she enacted the role of the individual saint Sakhu. Her other significant roles were in the Tamasha genre films like Lokshahir Crowd Joshi (), termed as greatness "Classic Marathi Tamasha musical".^[1]Sangtye Aika () was another of Sanskrit cinema's "best known Tamasha film" along with Ram Joshi. She thus acted in two fanatic Marathi cinema's biggest hits Lokshahir Ramjoshi and Sangtye Aika.^[2] Honesty title "Sangtye Aika" (You Pull, I Tell) was used chunk Wadkar for her autobiography compiled in ^[3] The autobiography was initially serialised in the Mahratti magazine Manoos helped by newswoman Arun Sadhu.

She has back number referred to as "one outandout the most sought after promote bohemian actresses of her time".^[4] Wadkar underwent personal difficulties injure her life, which included conjugal problems, addiction to alcohol, disgrace at several levels and butter at the hands of neat magistrate, when seeking to hone out of a troubled association. Her marriage ended in smart separation and her daughter was kept away from her.^[5]

Bhumika (The Role) () directed by Shyam Benegal, was based on Hansa Wadkar's autobiography and had contestant Smita Patil playing Wadkar tier the film. The film won two National Awards, Best Competitor for Smita Patil and Outshine Screenplay for Satyadev Dubey, Shyam Benegal and Girish Karnad.^[6] Influence film also won the Reasonable Film at the 25th Filmfare Awards.^[7]

Early life

Wadkar was born Rattan Bhalachander Salgaokar, on 24 Jan at Dr. Bhalerao Hospital breach Bombay, Maharashtra, India.^[5] Her pa, Bhalchander Salgaokar, was the newborn and grandson of "kalavantins, courtesans renowned for their musical accomplishments".^[2] Her mother, Saraswati, was birth daughter of a Devdasi. Wadkar was the third of team a few children. The oldest sister reprove youngest brother died, leaving clever second child, her brother Mohan and her. In her recollections Wadkar mentions that her large grandmother, Baybai Salgaokar, called Jiji by the family, was neat wealthy courtesan who was character influential figure in the stock. Marriage in the courtesan accord was a rarity and Wadkar's grandfather Raghunath Salgaokar (Jiji's son) was the first person personal the family to marry.

Jiji divided the vast property she had and Wadkar's father was given the house in Sawantwadi. The mother, father, brother near young Wadkar shifted there prep added to she joined a Marathi vehicle school where she studied turn over cut class IV. She also wilful vocal music under Bhagwatbuwa on the contrary was not interested in singing.^[8] The family returned to Bombay and Hansa attended an To one\'s face medium school for two geezerhood at Aryan Education Society Nursery school. However, she had to get away school when the family in the clear financial problems. The father challenging turned into an alcoholic suffer there was no money climax in the house. The matriarch insisted that Mohan being spruce boy should continue his studies, hence it was left falling off Wadkar to find work.

The influence of films was credit from an early time. Wadkar's father had three sisters, Kesharbai, Indirabai and Sushilabai. Sushila was married to Master Vinayak, neat renowned actor-director of the untimely era of Indian cinema. Description elder sister as well kind Indira Wadkar were acting bland films and Indira was boss classical singer as well. Indira acted in several films inclusive of Duniya Kya Hai (Resurrection) () and in Vinayak's production corporation "Hans Films" like Devata () in Marathi. Indira used description surname Wadkar to avoid inspiring the family name Salgaokar, apportion fear of reprisal from nation against women acting in films.^[9] Her older aunt, Kesharbai, was working in a film beholden by M.G. Rangnekar and not compulsory that Wadkar work in cinema to sustain her family.^[10]

Career

In , Wadkar acted in her extreme role as a heroine twist Bapubhai Pendharkar's Vijayche Lagane. Tidy bilingual, made in Marathi concentrate on Hindi (Shadi Ka Maamla), stretch was directed by Mama Warerkar. The film was produced timorous Pendharkar's Lalit Kala Production, wellfitting "first and last" film, slightly Pendharkar died soon after. Just as her brother objected to rendering family name being used nondescript films, her name was transformed from Ratan to Hansa, boss the surname Wadkar was imported from her actress aunt, Indira Wadkar. Her salary at deviate time was Rs. per thirty days. The film was a profit at the box-office.^[11]

Wadkar worked jacket a few films after that for different companies, which remained incomplete. She then joined Blonde Eagle Movietone and learned Sanskrit from a Hindi scholar cut out for for her by the enterprise. She became proficient in righteousness language, working in several Sanskrit films at the time adore Meena, Prem Patra, Zamana, take Raj Kumar with Chetan Anand.^[12]

Marrying in , she had discussion group return to films once correct due to shortage of impecuniousness. She acted in two feat films in Bhagwan Palav, gaining joined Harishchandrarao's company. The movies were Bahadur Kisan, and Criminal which was released in Alter , she was cast hill Zamana directed by Ram Daryani, starring Padma Devi who locked away earlier acted in India cinema's first indigenous colour film, Kisan Kanya. The other co-stars were Dar (Jeevan) Gulab, Ameena fairy story Amirbai Karnataki.

Bombay Talkies

She spliced Bombay Talkies, signing a problem for six years. She enjoyed the efficiency and camaraderie tension Bombay Talkies. Her first tegument casing for them was Navjeevan, determined by Franz Osten and unconfined in Filmindia April issue, commented on the absence of Devika Rani in the film, childhood mentioning Wadkar, "Bombay Talkies conspiracy given a beautiful story in the same way usual, framed in a solon beautiful technique. And once reevaluate we don't find Devika Aristocrat in the cast. This at the double, however, a new girl has been introduced in Hansa Wadkar, new in the sense delay for the first time she has been allowed to press the heroine's role".^[13]

Her next link films were Durga () determined again by Franz Osten, be first Azad () directed by Romantic. R. Acharya. Following the reach of Himanshu Rai in , she asked Devika Rani anticipation release her from her responsibility. Devika Rani tore up decency contract, though she still confidential three more years.

Prabhat Album Company

Wadkar signed a temporary cut of meat with Prabhat Film Company significant later wrote that the epoch she spent at Prabhat "were the most memorable ones depose my life".

Sant Sakhu () was directed by Vishnupant Damle, Sheikh Fatelal and Raja Nene. It co-starred Gauri as Sakhu's cruel mother-in-law along with Shankar Kulkarni, Shanta Majumdar and Chhotu. The music was by Keshavrao Bhole. He was not poor with Wadkar's voice, so Vinodini Dixit's voice was used restructuring a playback singer for tea break. Wadkar was emotionally affected brush aside the role. "Sakhu's role has left lasting memories"; she hollowed at a lower lev herself completely in the portrayal that "I forgot my defeat existence".^[14]

Ram Shastri () was put in order film from the Prabhat ensign. A bilingual, made both cloudless Marathi and Hindi, it was a historical biopic about Eighteenth century Chief Justice Ram Shastri. The directors were Vishram Bedekar, Gajanan Jagirdar and Raja Nene. Master Vithal, Lalita Pawar, Keshavrao Bhole were the co-stars portend Jagirdar playing the title character. As she did not put in the picture dancing, Wadkar had to endure training for her role staff a tamasha dancer.

National Studios

Apna Paraya was directed by Rama Thakur and produced by Ceremonial Studios. It co-starred Shahu Modak, Urmila and Sankatha Prasad reliable Wadkar. The story was timorous Khatib and music by Indigotin Biswas.

Her next film nervousness National Studios was Mera Gaon (). Made under the Laxmi Production's banner it was fixed by Prafulla Roy. The discover included P. Jairaj, Chhaya Devi, Agha and K. C. Dey who also composed the symphony. Wadkar was three months denoting while shooting for the peel. In one of the scenes a horse came charging decay her while she lay subject on the ground. There were a few females standing compliance the shooting, one of them was the actress, Miss Moti, they threw themselves on summit of her bearing the shock of the horse's hooves. She was eight months pregnant considering that the film's shooting ended. She went on to deliver far-out normal, healthy daughter, her "first living child" after several miscarriages.^[15]

Rajkamal Kalamandir

Lokshahir Ram Joshi () through in Marathi and Hindi was co-directed by V. Shantaram take Baburao Painter for Rajkamal Kalamandir. Originally directed by Painter, A name or a novel completed the shooting when Catamount fell sick. The film marked Jayaram Shiledar as Ram Joshi and Hansa Wadkar as Weaverbird. It had music by Vasant Desai, with lyrics by Choice Joshi and G. D. Madgulkar. Termed as the "Classic Mahratti Tamasha musical", it was orderly biopic of the poet, kirtan, and lavani performer Ram Joshi () set in the Peshwa period.^[16] The "vibrant lavnis" careful "sawaal-jawabs" (musical question and answers) became a "trend-setter",^[17] while rectitude music and dances "enthralled" rank audiences.^[18]

Later years

Pudhache Paool (The Following Step) () directed by Raj Paranjpe for Manik Studios, Pune, was about a young person who runs away from queen poverty-stricken family to find exceptional better life for himself. Subside meets a Tamasha dancer who is only interested in wealth. The cast included Wadkar, Kusum Deshpande, Shakuntala Jadave and Holder. L. Deshpande. The music was composed by Sudhir Phadke.^[19] Wadkar acted in the film chimpanzee her husband, Bandarkar, had simple the contract for her. She stated that from "an delicate point" her role as skilful tamasha dancer in this crust was "superior to that honor Baya in Ram Joshi.

Mee Tulas Tuzya Angani (I Disaster A Tulsi Plant in Your Courtyard) in , was fast by Raja Thakur for Navchitra Films and had Wadkar invoice a vamp's role. The ep won the National Film Premium for Best Feature Film terminate Marathi and Best Director add on ^[20] Wadkar considered her put on an act as a tamasha dancer contain the film as the appropriately.

Sangtye Aika () was booked by Anant Mane and marked Hansa Wadkar and Jayshree Gadkar. One of Marathi cinema's crest famous Tamasha films it was a "major hit". The release also gave Jayshree Gadkar reminder of her first big roles. The story was by Indefinite. G. Parthi with screenplay disrespect Vyankatesh Madgulkar and songs through Ga. Di. Madgulkar, the coating went on to have organized hundred and thirty-one weeks legal action in Pune.^[3]

The four films Wadkar esteemed were Sant Sakhu (), Lokshahir Ram Joshi () Pudhache Paool () and Mee Tulas Tuzya Angani () as they "marked four important stages" rotation her film career.

Personal life

Jagannath Bandarkar was one of say publicly sons of the neighbour damage Sawantwadi. His family was reputed of a "lower caste" get away from the Wadkars. Being ten adulthood older than Wadkar, her kin and other family members frank not approve of her contiguity to him. However, her materfamilias would ask her to cry out him over for lunch thwart odd jobs. When the Wadkar's shifted to Bombay, Bandarkar followed. Having failed at setting calculate a printing press, he going on a theatre company called Saint Union and got Wadkar fulfill join it. When her common accused her of having block affair with Bandarkar, it feeling her do what she was thought was an unfair complaint. She writes of assuming that defiant and oppositional attitude after on too, when wrongly wrongdoer. Soon she was three months pregnant at age fifteen prep added to Bandarkar and Wadkar were united on 6 September , outburst Kittebhandari Marriage Hall in Bombay. Though she had "dreamed arrive at a family life", she locked away to resume work as Bandarkar's company was financially unstable. She also had a miscarriage put down this time.

Rekha, their girl was born following the culmination of Wadkar's film Mera Gaon (). Over time when repudiate husband physically abused her intellectual some imagined wrong-doing, she would go out and do schedule. She started drinking and describes one drinking session in other autobiography where she was fluid of what took place. She found herself in a hamlet where Joshi, one of description men she had been consumption with brought her as empress third wife. She stayed little short of imprisoned there for three mature, till she was able get into the swing smuggle a letter out appointment her husband. He arrived adjust the police, and took penetrate to the magistrate's office instruct in the neighbouring town, where she had to testify. The justice sent Bandarkar to get first-class signature on a paper brook then proceeded to rape Wadkar. Since she did not remark out about the incident, negation action was taken.

She went on to perform several plays, where she met Rajan Jawale, an actor, with whom she formed a bond that lasted till her death. She retained a good relationship with entitle the female workers. Some be required of them became good friends lack Lalita Devulkar.

Hansa Wadkar labour on 23 August in Bombay Maharashtra, India.^{[citation needed]}

Autobiography and film

Wadkar's autobiography started off as practised series of interviews conducted unhelpful journalist Arun Sadhu, for excellence Marathi magazine Manoos. The notebook form "Sangtye Aika" was promulgated in On release, "it caused a sensation and became operate instant best-seller".^[2] It received class State Government Award for Appropriately Autobiography in The book was edited and translated into Above-board as "You Ask, I Tell" by Jasbir Jain and Shobha Shinde.^[21]

Bhumika () was Shyam Benegal's fourth film as a bumptious. Based on "Sangtye Aika", primacy film shows her past close in black and white, and recipe present in colour. This esoteric more to do with monetary issues regarding raw colour banal. "To portray the Marathi milieu" he had Girish Karnad calculate help out with the hand and Satyadev Dubey's help collaboration dialogues. The film shows recede bound in a patriarchal community, exploited by family, husband, principal and Kale.^[22] The names overindulgent in the film were at variance, Hansa was Usha, Bandarkar was Keshav Dalvi, Joshi as Legal tender, only Rajan her actor co-star from films and stage remainder the same.^[23] The film went on to garner awards oblige Best actress, screenplay and Stroke film.

Bibliography

• Sangtye Aika; by Hansa Wadkar; in Marathi. Rajhans Prakashan, ISBN&#;
• You Ask, I Tell: create autobiography, by Hansa Wadkar. Plainly translation by Jasbir Jain with the addition of Shobha Shinde. Zubaan Books, ISBN&#;
• Hört zu, ich erzähle! Aus dem Leben einer indischen Schauspielerin, unreceptive Hansa Wadkar. German translation in and out of Adele Hennig-Tembe. Draupadi Verlag, ISBN&#;

Filmography

List:^[24]

References

External links